For those that have seen crowds of people walking the city streets on guided Cape Town walking tours and always wondered what was going on, every First Thursday of the month, Future Cape Town organises walking tours through various part of the city as one of their World Design Capital projects. Along with a group of other curious individuals, this is your chance to explore galleries, stores, architect, city design, public spaces and much more. Of course it’s not all on the one evening, otherwise we would’ve been going until midnight.
Each of the Cape Town walking tours is themed with a planned route of some of the cities iconic – and not so well-known – landmarks and buildings, with a bit of history lesson thrown in. This month the tour focused on city design and architecture.
What makes a livable and sane city? What is the function of public spaces and how do we get people to engage in the use of public spaces? These are just some of the questions that came up during our meander through the city.
Our experience of one of the Cape Town walking tours
Starting at Green Market Square, the first public square in Cape Town, our guide gave us some background into this historical square, such as the square itself was originally used as a slave market and as a market for fruit and vegetables and that at one point it was the location of the well that was the town’s main water supply during summer months when streams from Table Mountain dried up. Although there was a lot happening on the square around us, everyone huddled together listening eagerly. We learned about the architecture, the history and the buildings; I never realized so many styles and types of buildings existed in such close proximity of each other.
Each of the guided Cape Town walking tours is different because there’s just so much to see – so don’t worry about getting bored by seeing the same things. Everything from the theme to the route – and even the group changes. But there are the few die heart fans that you can meet up with each week and enjoy a nice walk through the city and catch up.
Check out their website and save the next date – be adventurous and explore the city.
Written by Anna Sinnige
To be honest, I had never heard of Creative Mornings until someone in the office told me about it – and as a student in the creative industry, I can’t believe I’d never been while back home in the Netherlands. Nevertheless, I finally found myself at my first Creative Mornings in Cape Town. The theme was Rebel and the speaker was Drew Madacsi, one of the three owners of The House of Machines.
Drew was born in Australia, lived in America and has been living in Cape Town for five years. While Drew manages and owns the bike shop at the back of The House of Machines, his co-founders Brad Armitage preside over the coffee shop, and Paul van der Spuy, of bluecollorwhitecollar fame, manages the fashion.
The bike shop makes custom-made bikes, as well as sells bikes they make themselves. You can pretty much choose anything you want for your bike, as long as it’s safe to ride. You drop by and tell them what your dream bike looks like, and they bring in the best people and products to build it for you from scratch. That’s what makes this work. While it might not be cheap, they are always bringing in the best ensuring a perfect bike each time.
Amongst the booming coffee industry, the coffee shop has managed to get itself ahead of the pack if the booming morning trade is anything to go by. Their 100% organic coffee beans are imported from Honduras after they are roasted in Spain. What a trip! Take this and the fact that they are the only company who has a license for selling these beans, and you can understand what makes them special. In the evenings, you can transition from coffee to the best bourbon from America. You may pay a little extra, but you’re getting the best bourbon experience in Cape Town.
And last but not least, the fashion. Here you can buy t-shirts made from the best cotton imported from Japan. The cool thing is that, in true bluecollarwhitecollar tradition, you can design them yourself. Come by, show them your design and if they like it, they will print it and split the profit 50-50 with you. I think that is a great way to get your designs on the market.
The shop is in evolution, Drew says. They look at what is happening around them, what the market is asking for and see how they can provide it. Because of this, they company will continue to change, which means you’ll never know what to expect and what they’re selling this time round!
It’s really cool to see somebody’s dream become a reality. The questions I have though are more about the financial aspect. They don’t want to overprice themselves, so they don’t make a lot of profit, so how do they ensure they can pay their overheads? Nevertheless, I have a lot of respect for somebody who just goes out and does it regardless of what people are telling him.
Written by Anna Sinnige
It’s pitching season and we’re all invited!
Over the next seven months, the World Design Capital will be hosting project pitching sessions to expose recognised WDC 2014 projects to potential funders, mentors and collaborators. And we’re rather excited because we’ll be pitching our own shortlisted project – The Official Cape Town Design Guide. But more on that later.
The first pitching session will be taking place TODAY at 17:30 at The German Club (6 Roodehek Terrace, off Hope Street, Gardens) with 23 WDC 2014 projects hoping their pitches will seal the deal. If you can’t make it today, don’t fret, you have another seven pitches to choose from: 25 February, 25 March, 28 April, 27 May, 24 June, 29 July and 26 August.
You can buy your tickets through Quicket. They cost R50 ticket, and it also gets you one free craft beer and free popcorn. There is a cash bar and food for sale.
The WDC 2014 projects pitching tonight are:
1. Safe Township Lighting (#WDC608)
This project supplies individually charged, modular and multifunctional
LED task-lights (NURU lights) and the world’s first commercially available
pedal generator, the NURU POWERCycle. The cycle provides reliable
clean, sustainable power that is more efficient than current solar
Vijay Mitha: firstname.lastname@example.org
2. Mzansi Store (#WDC516)
An e-marketplace that enables small-scale handcrafts producers to
design their own e-commerce platform. This provides easy access to
online selling as a sales channel, where they promote their own brand,
sell and ship directly to buyers.
Deidre Luzmore: email@example.com
3. Shopstar (#WDC290)
Shopstar enables anyone to create and manage an online shop with little
technical expertise. Developed in Cape Town by a team of industry
professionals, it’s a homegrown solution for South Africa’s entrepreneurs.
Jens Herf: firstname.lastname@example.org
4. The Business Bridge (#WDC280)
The Business Bridge Initiative is an enterprise development organization,
which enables the sharing of core business skills between the formal and
Thomas Parry: email@example.com
5. The Motion Project (#WDC559)
This film and photography project uses the City as a backdrop to
showcase the diversity of talent in the dance industry. All dance styles
are photographed within the City’s beautiful urban spaces. The project
culminates in a photo exhibition, a dance film and a performance event.
Louise Coetzer: firstname.lastname@example.org
6. Ceramics United South Africa 2014 Competition (#WDC345)
Working with some of South Africa’s most prominent ceramicists,
Ceramics United ZA will hold a ceramics design competition among
students, potters, and artists to unlock the country’s rich and dynamic
ceramics history and share it with the world.
Ceramics United South Africa: email@example.com
7. Youth Design Studio (#WDC640)
In Youth Design Studio, secondary school learners will collaborate with
university students, educators, local elected officials, and city staff to
create a practical, implementable design project that will have a
demonstrable benefit for their particular Cape Town neighborhood.
Katie Hawkes: firstname.lastname@example.org
8. City of Rainbows (#WDC518)
The City of Rainbows is a public art installation project. Real rainbows
appear magically in public spaces, glass crystals hang from lampposts
creating flashes of color in the sky. Pedestrian crossings become
rainbow crossings; coloured heart stickers stuck to lampposts.
Michael Elion: email@example.com
9. Live Eco Remade Design (#WDC547)
Live Eco Remade Design is an upcycled design competition comprising of
dress (fashion design) & objects (interior design). This project requires
students to upcycle old clothing & used materials into eco chic garments
Nikki Seegers: firstname.lastname@example.org
10. Learning Innovation Design Lab (#WDC251)
The Learning Innovation Design Lab will comprise of a design studio,
usability test lab, model classroom, think tank and showroom that will
foster and showcase African innovation in education.
Marco Rosa: email@example.com
11. Open Streets (#WDC207)
Open Streets is a citizen-driven initiative. It is both an organization and a
philosophy for public life, working to design and promote streets that
embed and generate respect for people, regardless of who they are, and
how they move. It was founded in 2012 by a group of volunteers.
Marcela Guerrero Casas: firstname.lastname@example.org
12. Nino’s Bereavement Toolbox (#WDC335)
A friendly and attractive set of tools to help parents and children
overcome the loss of a loved one. It encourages the users to pay
attention to their senses and sentiments, discuss different aspects of
death and express their feelings.
Mathilde de Blois: email@example.com
13. Too Good To Waste (#WDC274)
A collective group of 14 Western Cape Upcycle Designers all with similar
visions, recycling a variety of would-be waste items into beautiful
consumer products. This future design ethos reduces the impact on our
stressed landfill sites and demonstrates new creative possibilities in the
the consumer market.
Jenee Rosse: firstname.lastname@example.org
14. 100 Bicycles (#WDC421)
Bicycles are not only functional by design; they have tremendous socioeconomic
and environmental benefits too. This project aims to use 100
Bicycles, each with a unique word on the yellow frame to harness mass
awareness about the benefits of non-motorized transport.
Warren Lodge: warren@LIFEbrand.co.za
15. The Migration #WDC537
Teaming up with The Cape Philharmonic Orchestra and turning the
musical experience into an audiovisual one. A spectacle combining
traditional with cutting-edge projection techniques to bring original music,
story and animation to life.
Bernard Kotze: email@example.com
16. Creative Edge #WDC353
Creativedge SA is an extra mural educational programme designed to
expose Grade 10-12 learners to multiple creative career disciplines,
through practical learning experiences. The aim is to overcome ignorance
about these industries, promote new developing sectors and augment
divergent thinking skills.
Mariechen Du Plesis: firstname.lastname@example.org
17. Brainstorm the City #WDC570
An awareness campaign run throughout the year, showcasing the human
brain: the ultimate design story. Through a variety of activities, this
interactive journey will inform, inspire and educate communities about
the wonders and fragility of this miraculous organ.
Ross Balchin: email@example.com
18. 1000 Drawings #WDC530
1000 Drawings – Doodle for a Difference is a community driven project
where everyone is invited to be an artist for a good cause. This nonprofit
initiative builds bridges across class, gender, age and race divides with
the simple message that we are all inherently creative.
Shani Judes: firstname.lastname@example.org
19. Zamani, the past #WDC552
ZAMANI, “the past” in Swahili, is a documentary series project produced
in Cape Town. The ZAMANI series will highlight some of the most secret
and sacred archeological sites of Africa, some never seen before on
television, awakening worldwide consciousness for the conservation of
Joanna Tomkins: email@example.com
20. Community led spatial design for informal settlements (#WDC236)
The spatial reconfiguration of informal settlements to those that are more
rationalized leads to social cohesion, shelter upgrade and infrastructural
improvements. It builds community, acknowledges the positive aspects of
informality and helps bridge the urban divide, including not removing the
Siyavuya Nobaza: firstname.lastname@example.org
21. Re-blocking Mtshini Wam (#WDC238)
Re-blocking Mtshini Wam showcases the co-production value in
upgrading informal settlements. Once threatened through evictions, the
community initiated a self-design process that re-organised shacks into
“clusters” with safer and more dignified public spaces. The City can now
install basic services.
Linda Gondo: email@example.com
22. Lentegeur Spring Project (#WDC331)
Bridging the divide between a mental health institution and deeply
scarred surrounding community by designing a mental health centre of
the future. This project utilizes permaculture design principles that will
engender an environmental regeneration. In essence the concept of
spring is brought to life through healing people and the environment.
John Parker: John.firstname.lastname@example.org
23. Pecha Kucha (#WDC676)
Taking place every other month during 2014, PechaKucha – Japanese for
chit chat – brings together Capetonians to hear from, engage with, and
be inspired by 9 speakers who present on interesting projects or passions
using 20 slides, each displayed for just 20 seconds.
Andrew Cole: email@example.com
For more information on the World Design Capital Pitching Sessions and WDC 2014 Projects, visit www.wdccapetown2014.com
There’s nothing like starting off a morning by being taken completely out of your comfort zone…
And by a clown nonetheless. But we have come to expect the unexpected of Creative Mornings Cape Town, and with the first session of the year taking place Thursday, 30 January 2014 under the theme of CHILDHOOD, we were charged with embracing our inner child.
Professional clown and founder of non-profit Clowns without Borders, Jamie McLaren took the stage with a banjo and led the crowd through a series of songs, dances and interactions that quickly found everyone out of breath, laughing and silently cringing at the crazy antics going on.
It’s not easy singing “A ram sam sam, A ram sam sam, Guli guli guli ram sam sam” while jigging to the sides without feeling a little self-conscious. It’s a popular children’s song and game originating in Morocco, by the way.
Who Are Clowns Without Borders?
Clowns without Borders are a non-profit organisation with the very simple mission: help children be children again. The team, which consists of clowns, actors, jugglers and anyone willing to give of their time, go into communities affected by crisis, and through arts-based interventions enable children and families to play, laugh, and create, providing psychosocial support and well being.
McLaren’s performance touched on the ideas that by embracing a sense of play, providing love, and giving structure, you are tapping into the potential of a child’s imagination and giving them permission to embrace the spirit of childhood, to dream and to help them get through their current situation.
So next time things are getting tough, stress levels are high or you simply feel like you need to decompress, get up, take a deep breath and start singing this popular Clowns Without Borders ditty:
A ram sam sam, a ram sam sam
Guli guli guli guli guli ram sam sam
A ram sam sam, a ram sam sam
Guli guli guli guli guli ram sam sam
A rafiq, a rafiq
Guli guli guli guli guli ram sam sam
A rafiq, a rafiq
Guli guli guli guli guli ram sam sam
You may get stares, but only before everyone joins you, embracing their inner child with a good laugh and some silly actions.
If you want to donate your time or money to Clowns without Borders, you can visit www.cwbsa.org where you can find out more about the organisation and find out how to get involved.
Be part of Creative Mornings Cape Town by joining their newsletter, liking them on Facebook (Creative Morning Cape Town) and following them on Twitter (@CapeTown_CM). The theme for their February session is REBEL.
“What are you doing for 2014?”
It’s the question everyone is asking, particularly with the spotlight on Cape Town as World Design Capital. This year is brewing and bubbling with anticipation and expectation. With everyone either waiting for things to happen or scrambling to make things happen, we believe there is only one way to see the change you want; lead the way.
So with the Happy New Year wishes fading fast, let me tell you what Infestation will be doing in 2014…
We plan on turning all those exciting new projects into visual reality. Many of the jobs we started last year are beginning to see the light. They excite us because they have challenged us. Keep an eye out for them as they emerge. Some – like the new website for CapeNature and Skybound rebrand – are visible already. Others like the “Better Living Challenge” from the Cape Craft and Design Institute and the Greater Tygerberg Partnership rebrand are still taking shape. Whatever the project, we are looking forward to sharing our ideas with you.
Internally, it’s very much in with the new, and chances are you’ll be meeting and working with many new names and faces. What that means is some new exotic spices being added to the mix. And who doesn’t like an added kick of flavour? For our clients, it means we can now offer more services in-house, like PR and direct-mail strategy.
Since 2001, infestation has hosted many interns and this year will be no exception. The only difference is, with the focus of WDC2014, we are getting a lot of enquiries from abroad. In early February we are welcoming an international intern from Holland and graduate from the highly acclaimed design school Willem de Koning Academie in Rotterdam. If you know of anyone wanting to intern or take up residency, let us know – this is THE year!
Thanks to our collaborative and creative space, our hot-desks have also taken off. This is the second year we are sharing our studio with like minded entrepeneurs and industry experts. So if you or anyone you know wants one of the hottest desks in Cape Town, let us know and we’ll be in touch.
Infestation’s Official Cape Town Design Guide
Now, we can’t talk WDC2014 without mentioning our yellow plans for the year. We have been privileged to be part of this incredible journey since bidding in 2010, and we continue to stay involved whether it’s through the Creative Sessions or Cape Town Design Network. We even have our very own officially approved WDC project, the Official Cape Town Design Guide. Sign up to get news the minute we go live!
If you want a flavour of what the different projects are all about, I can recommend attending one of the eight pitching sessions: 30 short entertaining inspiring pitches per night.
Please stay connected, either through Facebook and Twitter, or subscribe to our newsletter and take look at what we’re doing – our website has it all. We’re really happy to say our experience in digital has given us a competitive edge, but we’ll let our work speak for itself.
Wishing everyone one hell of a yellow year!
P.S: Take a moment to read this article by Business Day on the rise in tourism Cape Town is experiencing. We’re hoping to give those visiting our shores an insight into Cape Town design with our Official Cape Town Design Guide.
With all the anticipation around Cape Town being the World Design Capital 2014, it’s hard to imagine that it was nearly three years ago that we were presented this accolade. Last month, the International Council of Societies of Industrial Design (ICSID) named Taipei as the fifth city to take World Design Capital in 2016.
Speaking at the acceptance event in Montreal, Canada, Taipei’s deputy mayor Hsiungwen Chen spoke of the how in the process of bidding for WDC, they discovered that embedding design into the city’s governance changed the face and the thinking of Taipei, and enhanced the quality of service to their citizens.
World Design Capital 2016: Adaptive City – Design in Motion
In just 50 years, the City of Taipei has reinvigorated its urban landscape to include a sophisticated transit system, specialised medical care and a bustling cultural infrastructure. Under the theme ‘Adaptive City – Design in Motion’, Taipei will demonstrate why cities must be able to adapt to meet citizen’s demands. Throughout its history, whether willingly or reluctantly, Taipei has constantly been in a state of change, which can be attributed to its success as the political, economic, cultural, and technological center of Taiwan.
“Our next step will be to fulfill the vision of the WDC, and Taipei’s programme will act as a catalyst for our existing industrial ecology, leading to the creation of more investment opportunities and job openings,” concluded Deputy Mayor Chen. “This in turn will allow us to develop more human resources and establish more market opportunities for our design industry.”
For more information on Taipei as the World Design Capital 2016, visit World Design Capital
Any design or advertising agency will tell you that pitching for a job is a lengthy and risk-filled process. Lengthy because preparing for a pitch often involves hours of research followed by more endless hours of designing creative, and risk-filled because all the hours spent on the pitch may prove fruitless if the potential client rejects the pitch, which means lost time that could have been spent on billable clients.
If you consider that creative for pitches is crafted off pitch documents that tend to be left to an individual studio’s interpretation as they are not able to discuss the brief in depth with the client, the client being pitched to won’t always get the strategic/creative solution that they were seeking. So what you’re left with is a “no win” situation.
“Preparing creative might seem easy, but it is only effective if it is based on a sound strategy, well discussed briefs and confirmed outcomes,” explains Infestation’s MD, Christo Maritz.
But what if there was a solution to this dilemma that allowed for an agency to pitch for work without losing that valuable incoming-earning time as well as possible IP, while still showcasing their ability to execute their work? Recently, Infestation pitched in such a way and won the job without showing any creative directly concerning the job itself.
Ethical Pitching: How did we do it?
It’s no different to interviewing for a job opening at a company – candidates are judged on past experiences, the way they approach situations and the way the follow processes to ensure they achieve satisfactory outcomes – the only difference is that in this case – it’s an agency and not just an individual.
“By focusing on what we call ‘Ethical Pitching’, Infestation was able to steer away from pitching creative and strategy around the pitch brief, and rather pitch our credentials, experience and past projects that speak directly to the client’s brief,” says one of Infestation’s brand designers, Nix Harwood.
Through demonstrating a detailed approach, both creatively and strategically, to the client’s specific project and highlighting the easy-to-do’s and the challenges of the work, Infestation was able to show the client that they could capability manage and execute the project based solely on work done previously.
“Any agency worth their salt should be able to confidently explain their process and their approach to a brief and pair this with past examples, providing enough context for a client to make a decision,” says Christo.
*A challenge to agencies and clients – be open to ethical pitching that focuses on the road to the final product and how you, as the agency will get there. Not only will this save time and money – but also ensure a more in-depth and strategically focused end product that benefits both client and agency.
It’s quite possible that the high of Open Design Cape Town has never really left the team of Infestation, but has merely been collected into a small inspiration reservoir ready for the next Open Design because we know 2014 is going to be big. And how do we know this? The numbers don’t lie.
The inaugural Open Design Cape Town event set the tone and made its mark to show that it was here to stay – and as the brand and marketing custodians, we couldn’t be prouder of the success we accomplished in such a small space of time:
Anchor Events: 12 | Total Events: 81 | Venues: 38 (throughout Cape Town) | Visitors through City Hall: 5 815 (21 – 31 August 2013) | Visitors through participating events: 1500 (21 – 31 August)
Events that broke attendance records: Pecha Kucha Cape Town (680) | Creative Mornings Cape Town with Bruno Morphet (122) | Future Cape Town Open City mini-conference (120) | Open Architectural Studios (15 studios) |
Media Exposure: R5 million (July 2013 – August 2013) | Facebook Likes: Over 1000 likes before event had started | Twitter Followers: Over 500 followers before event had started.
Unique Visitors to www.opendesignct.com: 11 456 (July 2013 – August 2013) | Page views on www.opendesignct.com: 72 622 (July 2013 – August 2013) | Total visits to www.opendesignct.com: 20 263 (July 2013 – August 2013)
What’s happening in 2014?
We can’t let on to too much, but what we can tell you is that we’re looking at extending the duration of the festival and hoping to create more platforms through which creative minds can showcase their work.
The year of Cape Town as World Design Capital is around the corner, and with design media attention turning to Cape Town, Open Design Cape Town 2014 can only be bigger and better, a through-the-year platform for everybody to engage with.
So, what will you be sharing next year?
Subscribe to the Open Design Cape Town newsletter to make sure you’re the first to know what’s happening in 2014!
Cape Town Airport, also known as Cape Town International is the 2nd largest airport in South Africa. It is a major gateway for tourism in the country seeing million of visitors arriving in the city of Cape Town annually. It is predicted that Cape Town Airport would have seen fourteen million travelers by 2015 making it the 2nd busiest airport in South Africa, and the third busiest in Africa, coming in behind OR Tambo International Airport and Cairo Airport. (http://capetown-airport.co.za/)
We recently had the honour of designing large sections of the Domestic and International Arrivals walkways with World Design Capital branding. It’s become apparent that not many Capetonians know what WDC2014 is about and why Cape Town has been awarded this designation. This is one of the first activations (sponsored by the City of Cape Town) that has brought the reality of World Design Capital to our citizens. The World Design Capital branding artwork highlights a few key projects that showcase how design can transform people’s lives.
Last week Friday we were treated by City Officials to a VIP tour of the airport so we could see the World Design Capital branding artwork up close and personal. It was an afternoon filled with adventure that started with a trip on the MyCiTi bus from the Civic Centre to the airport. After a very smooth ride on the road, we found ourselves weaving our way past floods of oncoming passengers eager to see their families as we walked into the domestic arrivals hall. After some rather funny security checks (with most of us setting off the metal detectors), we were escorted past some rather alluring Duty-Free shops and into the International arrivals area.
It was a great feeling to see the result of many long (and late) hours in prime position for the world to see.
To the rest of the world, we are ready to welcome you to the World Design Capital of 2014, CAPE TOWN!
World Design Capital branding project
As graphic designers, we have an affinity for all things paper. It brings out the design geek in all of us; no matter whether it’s the new Antalis booklet, a die-cut wedding invitation or the new paper stock that Visi is using. In-depth paper discussions are a very usual buzz around the Infestation water cooler. So, naturally, when an animation short film entitled Paperman showed up on our radar, we were instantly intrigued.
Paperman is a black-and-white short that combines traditional hand-drawn animation with computer animation. This ground-breaking technique is driving animation in an exciting new direction and landed this short film an Oscar in 2013.
The story revolves around two characters that meet on their way to work. In a very cheesy fashion (which we obviously love), the guy immediately falls in love with the girl. Unfortunately, she boards a train before they can properly meet. The story unfolds against a backdrop of perfect music, no dialogue, romance, quirkiness and paper – lots of paper …
The animation is breathtaking and a wonderful example of the substantial emotional impact that animation can make in seven all-too-short minutes.